front cover of African Music on LP
African Music on LP
An Annotated Discography
Alan P. Merriam
Northwestern University Press, 1972
Containing details of 390 L.P. and E.P. recordings, African Music on LP: An Annotated Discography contributed to the scholarship of African music at a time when very little had been written. Organized by record label and arranged in alphabetical order, Allen P. Merriam assesses the stylistic characteristics of each recording, providing new insights on the subject and the recording industry at the time of publication.  African Music on LP also contains 18 indexes cross-referencing each of the records. 
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front cover of The Anthropology of Music
The Anthropology of Music
Alan P. Merriam
Northwestern University Press, 1964
 
In this highly praised and seminal work, Alan Merriam demonstrates that music is a social behavior—one worthy and available to study through the methods of anthropology. In it, he convincingly argues that ethnomusicology, by definition, cannot separate the sound-analysis of music from its cultural context of people thinking, acting, and creating.

The study begins with a review of the various approaches in ethnomusicology. He then suggests a useful and simple research model: ideas about music lead to behavior related to music and this behavior results in musical sound. He explains many aspects and outcomes of this model, and the methods and techniques he suggests are useful to anyone doing field work. Further chapters provide a cross-cultural round-up of concepts about music, physical and verbal behavior related to music, the role of the musician, and the learning and composing of music.

The Anthropology of Music illuminates much of interest to musicologists but to social scientists in general as well.
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front cover of Following the Elephant
Following the Elephant
Ethnomusicologists Contemplate Their Discipline
Edited by Bruno Nettl: A collection of articles from Ethnomusicology
University of Illinois Press, 2017
In Following the Elephant, Bruno Nettl edits articles drawn from fifty years of the pioneering journal Ethnomusicology. The roster of acclaimed scholars hail from across generations, using other works in the collection as launching points for dialogues on the history and accomplishments of the field. Nettl divides the collection into three sections. In the first, authors survey ethnomusicology from perspectives that include thoughts on defining and conceptualizing the field and its concepts. The second section offers milestones in the literature that critique major works. The authors look at what separates ethnomusicology from other forms of music research and discuss foundational issues. The final section presents scholars considering ethnomusicology--including recent trends--from the perspective of specific, but abiding, strands of thought. Contributors: Charlotte J. Frisbie, Mieczylaw Kolinski, Gerhard Kubik, George List, Alan P. Merriam, Bruno Nettl, David Pruett, Adelaida Reyes, Timothy Rice, Jesse D. Ruskin, Kay Kaufman Shelemay, Gabriel Solis, Jeff Todd Titon, J. Lawrence Witzleben, and Deborah Wong
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